Scottish Music & Song Books
Four volumes of Scotch and Irish reels and jigs, Highland schottisches, country dances, hornpipes, clog dances, waltzes polkas etc.
Over 80 Scottish, Irish & Cape Breton tunes popular at sessions throughout Scotland. Contain many of the best tunes to be found in Scotland today and are an essential addition to the more advanced fiddlers' (and other instrumentalists') Scottish repertoire.
Many of the tunes such as Willafjord, Da New Rigged Ship, Scarce o' Tatties, Louis Waltz, Brenda Stubberts, Moving Cloud, Jeans Reel etc. are those recorded on albums by such fiddle masters as Aly Bain and Alasdair Fraser.
Volumes three and four of the Ceol na Fidhle - 'Highland Tunes for the Fiddle' series.
These are very popular tunes for fiddle taken for the bagipe repertoire. The books contain suggested bowings for fiddlers and chords for guitar or other accompanists and a great selection of 2/4 Pipe Marches, 6/8 Pipe Marches, Jigs, Reels, Slow airs, Hornpipes, Polkas, Strathspeys etc.
Many of these tunes are not available in fiddle settings in many other publication.
Presented here are 100 well-known, popular, traditional Scottish dance tunes. Ideally suited for ceilidh dancing and pub sessions. Included are reels, jigs, hornpipes, marches, waltzes, slip jigs and schottisches. They range from very easy to extremely difficult.
Like its companion, AIRS FOR PAIRS, this book contains twenty-one tunes from Britain and Ireland.
Four volumes of Scotch and Irish reels and jigs, Highland schottisches, country dances, hornpipes, clog dances, waltzes polkas etc.
Four volumes of Scotch and Irish reels and jigs, Highland schottisches, country dances, hornpipes, clog dances, waltzes polkas etc.
Four volumes of Scotch and Irish reels and jigs, Highland schottisches, country dances, hornpipes, clog dances, waltzes polkas etc.
HIghland Tunes for the Fiddle. Another great selection of Highland fiddle and pipe tunes both old and new. It contains a wealth of tunes musicians have been looking for and couldn’t find!
This volume was issued ten years after finishing the original four volumes. After finding that I had collected a great many more pipe tunes over the intervening years and, as they were such good tunes, a further book was warranted to make these available to all the fiddlers and others out there looking for more good Highland tunes to play.
These represent some of the best Scottish pipe tunes being played today in Scotland.
This book contains twenty-one of the most popular traditional melodies, both dance tunes and song airs, from around Britain and Ireland. Each tune is arranges with a harmony part for a second melody instrument as well as a chord accompaniment. Soundtrack available.
A republication of the 1884 edition. Contains 870 tunes retaining the original grouping of the tunes in the same key. Foreword by Alasdair Fraser.
his is the third book in a series of session tunes for fiddle.
Many of these tunes, though contemporary, have already stood the test of time from the 1990's to the present day and are very popular at sessions in various parts of Scotland.
This collection includes a few strathspeys, waltzes and even a mazurka!
This is a lovely selection of tunes for piano (or keyboard) taken from the Gaelic song repertoire of the Scottish Highlands. There are over 50 tunes and they are from early beginnings to intermediate stages of playing.
Suitable for those who have been playing for about six months onwards. It is ideal for all piano players from children to adults as it is a very varied selection of lovely melodies.
This book is ideal for using at local or national Mods, concerts and Festivals and for pupils learning piano in a Gaelic medium environment. Each tune has its original Gaelic title and a translated title.
It is not intended as a stand alone tutor book but, although it is graded, it should be seen as an accompaniment to a standard piano book.
Fiddle and bagpipe tunes from the Scottish Highland repertoire. "The Fiddle Music of the Scottish Highlands". Famous bagpipe composers such as Donald MacLeod, George MacLennan, Peter R. MacLeod, Willie Lawrie and many more are represented in these volumes as well as contemporary tunes by present day pipers, fiddlers and accordionists (Bobby Macleod,Freeland Barbour, Addie Harper etc) who are all producing tunes in Highland bagpipe style. This is the music that has been popularised by such leading bands as Alasdair Fraser’s Skyedance, Capercaillie, Burach, Daimh etc and toured worldwide to represent Scottish music in all corners of the world. Most of these tunes are not available in fiddle settings in any other publication.
This book of duets contains twenty one Scottish tunes of core repertoire which the editor, Matt Seattle, feels should have a place in the repertoire of all musicians who reside in these Islands.
Forty complete Scottish songs, collected arranged and edited by John Loesberg. Lyrics, music and chords.
Forty complete Scottish songs, collected arranged and edited by John Loesberg. Lyrics, music and chords.
Musick’s Delight on the Modern Cittern is intended for the beginner seeking a collection of simple yet attractive tunes that are enjoyable to play; the more intermediate player desirous of widening their repertoire; and any player in want of a collection of tunes upon which they can build further.
All tunes are presented in both notation and tablature, together with chords for an accompaniment, in GDGDG for cittern and GDAE for mandolin and octave mandola, plus two hundred and fifty chords each for GDGDG and GDAE. Bouzouki and tenor mandola players can also play these tunes via the tablature.
From the age of knights, castles and courtly love; from the palaces and gardens of Renaissance Europe; and from the assemblies, playhouses and noisy streets of seventeenth and eighteenth-century London: Musick’s Delight on the Modern Cittern presents a repertoire spanning 600 years – as delightfully playable and addictive now as it was then.
Although the cittern has a history spanning 500 years and several countries, like its cousin the Irish bouzouki, it is a relative newcomer to contemporary traditional music. Doc Rossi, a well-known citternist in both traditional and early music, has created this book for intermediate to advanced players who want to improve their technique, develop ideas and learn new repertoire. Guitarists can play all of the tunes in this book on the guitar by tuning C F C G C F, low to high, and putting a capo at the second fret. The lowest line in the tablature then corresponds to the fifth string. The CD features all the tunes played at a medium tempo.
Popular session tunes in Scotland. This latest volume comes by popular demand. Great tunes from new composers and old tunes that have stood the test of time to add to your Horo Gheallaidh collections 1, 2 and 3. This book is an essential addition to all fiddlers' Scottish repertoires.
Many of the tunes such as Aly's Watz, Doorus Mill, The Strayaway Child, The Cape Breton Fiddler's Welcome, Innisheer Milltimber King of the Mountains and many more, recorded on the best of Scottish albums.
While one of a kind is a hard rating to achieve at Mel Bay Publications, Kevin Allison has done it with The Ceilidh Dance Book. A ceilidh is a traditional Scottish gathering where people share songs, stories, music, and dancing that is very much alive today. In Scotland, there are hundreds of ceilidh bands, each of which has their own trademark tune sets, making it possible for a man in a kilt to make a living as a performing musician. This book not only provides 85 Scottish tunes in sets as they might be used in a ceilidh event ”it also offers detailed, beat-by-beat descriptions of the dance steps for twenty-four dances! From The Highland Scottish to The Mooncoin Jig, with this book in hand, you'll be able to both play in the band and step to the music with the locals. The kilt is optional. Arranged for mandolin or fiddle with suggested chord backup, in standard notation only.
This book introduces fiddlers to 3rd position in a fun and exciting way by using well known Scottish tunes as the examples. It is a very popular book and can be used in on its own or in conjunction with a non-Scottish 3rd position book if supplementary fun material is required.
Also included are some pages of 2nd position tunes to widen the interest in the uses of position work in fiddle playing and enable the players to tackle some of the material from Scott Skinner’s "The Scottish Violinist" book and tunes from the "Session" books, some of which include position work.