Reduced to clear
Spare 2nd string (D string) for the Gold Tone 23" or 25" acoustic Microbass or M Bass.
PLEASE NOTE: This is a clearance item due to .045 String missing.
Replacement bass string set for the Ohana OBU-22 Acoustic Bass.
Gauges are .065, .080, .100. Ball ended phosphor bronze.
Goodtime Flange Plate Set Unfinished. Set of 2 plates, left and right made for 11" Goodtimes
There may be some very minor rust spots on the plates.
Clearance Stock
Precision geared Leader Kluson style machine heads/tuners for ukulele and uke banjo. This high quality tuners have beautiful polished pearl buttons. These tuners can be found fitted to some of the highest quality ukes and ukulele banjos. Complete as shown with ferrules and fixing screws.
Two sizes of pillars available in drop down menu.
Please note these are single units and not sets. Sets also available on website.
Used nickel plated one piece flange for Deering Golden Era professional banjo. Made from cast zinc and coated in a high lustre nickel finish.
Some minor blemishes and flaking in areas.
USED - brown/gold ukulele strap with leather ends (general wear and tear as pictured)
12 fun lessons to inspire and educate the young musician - all on a 90 minute DVD
National Harmonica League Blue Leather keyring.
LLT-10 Digital Guitar Auto Tuner - Clearnace
Images, biography and archives about banjo player and band leader Harry Reser.
Clearance stock.
100% Cotton t-shirt with Mainland Ukulele design. Only available in sizes Small and Large. One of each
Hohner Harpster t-shirt in Dusky Pink for Women. Available in Medium and Large only.
Gold Tone Black Tshirt with Gold logo on front and back. Available in size medium. One only.
USED. Excellent condition. As new.
Published in 1991, featuring tunes spanning a wide time range from the 17th Century to the current day. The tunes are mainly from the North-East of England and Scotland, although the editor’s net has also caught tunes from as far afield as Scandinavia and America. book provided an expanded repertoire for the pipes at a time when much of the repertoire was being circulated in handwritten form. A varied selection of mainly Northumbrian and Scottish tunes, both traditional and modern.
USED.
Northumbrian Pipers Society - The Northumbrian Pipers Duet Book
USED. In excellent condition.
113 British traditional dance tunes with guitar chords.
The purpose of this collection is to acquaint the newcomer to folk dance music with a selection of good tunes chosen from a variety of the most common rhythms used in the British Isles. They are all well tried tunes, many of them as popular now as they were when used by traditional musicians for the old village dances.
USED.
The complete compositions of Jack Armstrong and a selection from the repertoire of duets which he played with Patricia Jennings
Clearance.
Instrumental dance and harp music from the Celtic Lands.
Clearance.
This recording is a companion CD for the tune book, The Portland Collection: Contra Dance Music in the Pacific Northwest (1). Musicians George Penk, Clyde Curley, and Sue Songer, have played for contra dances in Portland and throughout the Northwest for decades. On this recording, they bring the music from the pages of The Portland Collection to life with rhythms and stylings that pop out while playing for dances–nuances of music that are difficult to convey in the pages of a tune book. The tunes on the recording are a cross section of the tunes in the book and represent the different genres and sources of contra dance music. There is a mix of both traditional and recently composed tunes as well as popular standards and tunes that have not been recorded before. Most of the music on the recording is arranged in dance-type medleys and played at dance speed. However, some of the tracks are played slowly with broader variation than is possible at dances and may suggest ways of approaching the music outside a contra dance setting.
Clearance.
This recording is a companion CD for the tune book, The Portland Collection: Contra Dance Music in the Pacific Northwest, Volume 2. Musicians George Penk, Clyde Curley, and Sue Songer, have played for contra dances in Portland and throughout the Northwest for decades. On this recording, they bring the music from the pages of The Portland Collection, Volume 2 to life with rhythms and stylings that pop out while playing for dances’ nuances of music that are difficult to convey in the pages of a tune book. The tunes on the recording are a cross section of the tunes in the book and represent the different genres and sources of contra dance music. There is a mix of both traditional and recently composed tunes as well as popular standards and tunes that have not been recorded before. Most of the music on the recording is arranged in dance-type medleys and played at dance speed. However, some of the tracks are played slowly with broader variation than is possible at dances and may suggest ways of approaching the music outside a contra dance setting.